Tuesday, June 29, 2010

Next Generation House - Sou Fujimoto Architects



























Check out the Next Generation House by Sou Fujimoto Architects. It's like a house built with Jenga blocks. The NGH is a small weekend house that overlooks the River Kuma in Kumakura, Japan. It's approximately a 13'x13'x13' cube, which makes it smaller than our apartment here in NYC, but way more functional due to the ramshackle space that is formed by the cedar logs, creating spaces for seating, sleeping, eating, storage, etc. I appreciate the simplicity of the idea and the rigor with which they carried it out.

Saturday, June 26, 2010




If you are lucky enough to have a home theatre, most of us would be happy with a projector, surround sound and perhaps a comfy sofa or two. Not so for these homeowners.

Pentagram Architects partner James Biber has designed this home theatre in Montauk New York, taking inspiration from Radio City Music Hall and 2001: A Space Odyssey. The theatre has a series of round arches, which house 600 five-watt dimmer-controlled light bulbs that provide a soft ambient light for when you need to find that elusive remote control. And as in the Music Hall, the lights are positioned to glow away from the viewers — because we all hate to have lights in our eyes when watching the big screen.

Biber has designed the theatre to function like a TV room, in that it is comfortable and intimate enough for a romantic night in with a bottle of red and a Hugh Grant movie, but can also easily accommodate up to ten people to watch the big game, or perhaps a slumber party with the girls.

All of the surfaces in the room are covered in orange felt to help with the acoustics, and seating on the floor has been taken care of by Edelman Leather who custom made the beanbags.

This house, which also boasts a large private outdoor space looking onto the Atlantic Ocean, recently won an American Architecture Award for distinguished buildings and a Citation for Design in the AIA New York State Design Awards.




Pop culture's fervent embrace of the 80s aesthetic - from fashion to music - is not about to abate anytime soon. Which is why now is the perfect time for iconic 80s brands to wipe away the cobwebs (and any chips on their shoulders about being "has-beens") and re-invent themselves to a whole new generation (Y, that is) that did not have the pleasure of consuming them the first time around.

Iconic 80s sports shoe giant Reebok has heard the revival call and is responding beautifully with a mix of classic retro-ism and futurism. Everything about the brand is undergoing a renaissance, from the product right through to the marketing, such as their recent pop-up store in New York which was a feast for the illustrative senses. Good work, we say. Will the brand rise to the dizzy heights of its former glory when a pair of Reeboks was the only shoe any man, woman or child from Dusseldorf to Detroit wanted? Maybe not but we're predicting that the hipsters will give them an excellent run (pardon the pun) this time around. -





Mark our words: skinny legs are on their way out. Hard to believe, we know, given that every hipster from Hobart to Helsinki is sporting licorice legs right now but the tide is slowly turning, thanks to the world's top designers who have decided that they've had enough of the look. Enter Prada, who are still setting global trends and leading the way in true fashion innovation, despite being a global mega brand (which usually spells one thing: boring). The brilliant fashion house is on a mission to bring back seriously voluminous "flares," but with a fabulous signature quirky Prada twist in the form of lavish fabrication and intricate prints. Not for the faint-fashion hearted.



Still with Prada, parts of their beautiful new shoe collection look as if they have slipped straight out of a Salvador Dali painting or some other strange alternative universe where there are no design rules. We love the decorative heels, which look more like pieces of grand, hand-carved furniture than a pair of pumps. They're almost too good to wear

It doesn’t take much imagination to understand that toys and childhood play were the guiding inspirations for the recently completed children’s sports and recreation center in Saint-Cloud, a wealthy community located in the metropolitan area of Paris, about six miles from the city center.



Designed by Paris-based KOZ Architects, and coexisting with several older educational buildings and a residential development, the 1,600 square-meter facility is unexpected and bold in its riotous use of colors both inside and out. A more typical an approach for this type of neighborhood would have been a structure that vanishes into its surroundings.



The funhouse by KOZ has turned into a favorite of kids, parents and teachers, as the facility was planned and its wild colors used in specific ways that fosters the intended functions -- play and sports – and not just to shock or delight.



Joining cube-shaped, basic concrete structures with an overlay and creating a sports court on top of the building have not only increased the building’s usability and maximized the use of the site, but also accommodated the complex’s surprisingly easy fit into the site. A monolithic, monotonic approach would have created a mass much more imposing and seemingly unfriendly than the varying-height structure with its pixelated glass facade that now draws children in through color and an abundance of natural light.



KOZ was established in 1999 Christophe Ouhayoun and Nicholas Ziesel, graduates of the Paris-Belleville School of Architecture who both spent part of their childhoods in the USA. With three other architectural firms, KOZ established a collaborative collective, Plan01 in 2001. -

Black and white are the safe choices in the design world. The color of luxury is elegant and subdued. Yet, at the same time, even top-tier designers, artists and luxury brands have always used bright colors as well. It is not about either or. It is not black-and-white or color.



Just try telling those who love Dale Chihuly’s art, Versace interiors, Karim Rashid’s Corian eco-house or Renzo Piano’s Central St Giles facades in London that the “designer look” is always predominantly black and white.



And although bright color is often associated with being a sort of primitive, wild, folk-art aesthetic, and therefore black and white would seem the serious and civilized alternative, color is not just wild, frivolous, and primitive.



Just think of your favorite brand’s logo and you will most likely visualize some color. Imagine a weekly market at a Peruvian mountain town, an Indian wedding party, a Norwegian fishing town, Marimekko fabrics, a Cirque du Soleil show or Avatar, and you cannot avoid feeling uplifted and happy because of the colors.



In fact, we are seeing a clear increase in the use of color in the broad design world. We see more color in commercial and residential architecture, interior design, art and installations, events, retail and hospitality. We also see more color in products — from aircraft to fashion to everyday items — and in marketing and communications as well. All you need to do is click through the various categories on this site – architecture, design, art, kids, Lifestyle, fashion etc. – and you’ll get a sense of how color is gaining ground.



The recent super-enthusiastic online reaction to the redesign of the logo of the City of Melbourne in Australia is a good example of this. People are interested and they do see the difference. When did people last get that excited about a city logo? Disneyland’s soon-to-open World of Color and the Dubai Fountain are also great examples of what technology and color are bringing to entertainment experiences.



We are hard-wired to notice and react to color, and marketers (and Pantone and the Color Marketing Group) and psychologists have long known this. Children generally love bright colors. Fast-food restaurants use bright colors because they want us to notice, grab and go. Red is stop, green is go. Colors affect and express our everyday lives, even when we don’t notice it.



Throughout history, color has expressed and represented status, religion, origin, feelings and many other things, and its use has been dependent on resources. To be able to afford clothing or other possessions in certain colors meant you were wealthier than most, as some ingredients to produce specific colors were not available everywhere.



As we have seen so vividly in the widely circulated “color wheel” by David McCandless and Always with Honor, different colors mean different things in various cultures. And apparently, people from warm climates respond favorably to warm colors while northerners like cooler colors.



Perhaps it was the recessionary economy that enticed designers to use more color, and attracted the rest of us to it. Whatever the underlying reasons, we see more color and we love it. -




The aquatic complex Les Bains des Docks (animation here), designed by the 2008 Prtizker-prize winning architect Jean Nouvel has just opened in the historical Port of Le Havre. Inspired by the Roman thermal baths, the 5,000-square-metre complex offers an eerily beautiful atmosphere of tranquility with the fantastic play of natural light soothing the eyes, the masterful acoustics pleasing the ears, and the pools and treatment areas taking care of the rest of the body.



Although the main “colour” of the complex is white, each section’s distinct atmosphere and hue is created by flowing water curtains, colour walls, and various textures and surface treatments. Each pool — lap-pool, children’s pool, whirlpools — is designed, shaped and lit to create a unique “private space” for its specific users. These seemingly enclosed areas help minimize echoing and sound carriage — an annoying aspect of most aquatic centres - as do the varying-height floors and ceilings, and the acoustic false ceilings. Saunas, a hammam, cold and hot baths, and a spa area with hydro-massage and aquagym areas complete the atmosphere of pampering and care. An external lagoon makes the summer use of the complex even more appealing.



The Docks in the south end of the ancient port city of Le Havre are the oldest docks in France. The area is under massive revitalization with the goal of making this a leisure, culture and shopping neighborhood. When completed, the area will include residences, a large park, a tropical greenhouse, cinemas, bowling alleys and a shopping center, plus a Nouvel-designed Sea and Sustainable Development Centre to be completed in 2011. The Sea Centre will be a showcase of shipping and sailing — exploring their economic and industrial significance as well as their environmental impact on coasts and estuaries. It will be a 120-meter-high metallic structure dominating the port and it will include exhibit areas, an aquarium, a meteorological station and a restaurant with panoramic, 360-degree views of Port of Le Havre.



Nouvel’s well-known public buildings literally span the world from New York to Reykjavik, Dubai, Soul and Tangiers. Recent interesting buildings include the bright-red research center for the maker of brakes for luxury cars, Brembo, in Italy. NouveI's masterpiece for La Philharmonie de Paris will open in 2012.




In most cities, strategic downtown street corners are flanked by enormous, old banks, the ornate cathedrals of capital designed to impress and intimidate. With the massive changes in real estate values and consumer banking habits, such monuments to Mammon are no longer smart or necessary. But what amazing opportunities such massive commissions must have been for the architects of the day! And what depressing alternatives we’ve experienced since! Luckily, online banking has made a bank visit almost obsolete, but when you must visit, most of the time you’ll find a boring, convenience-store-type standardized box – retail banking in the worst meaning of both words.



But we are starting to see a change. Several new bank design concepts are in the works, and some have been launched recently, including CheBanca! in Milan by Crea International. The concept for CheBanca! (translation: What a bank!) reflects the brand’s simplicity, transparency and innovation. When Crea International co-founder Massimo Fabbro will speak at POPAI Italia in November on the power of physical brand design to bring to life a brand's language, spirit and values, he will no doubt mention CheBanca!



And now that we have seen a few examples of fabulous bank design, we want more! If you’ve seen, designed or commissioned one, let us know.




Bold use of colour has never frightened the 40-year-old, Lisbon-based architect Pedro Gadanho. The colour extravagance of the recently completed single-family residence in Oporto, Portugal, follows Gadanho’s established modus operandi of using white and bright colours as key elements of a space. The petrol-blue kitchen and sanguine stairway draw the attention while at the same time punching up the power of snowy white.



Colour played an important part also in the widely reviewed and admired Orange house he designed with Nuno Grande. The private residence was completed in 2005 in Carreço, Portugal.

Another example of Gadanho’s use of color is the high-profile Ellipse Foundation Art Centre in Estoril/Alcoitão, Portugal. He designed the 20,000 square-foot converted warehouse with Atelier de Santos. It was completed in 2006.



Gadanho’s thought-provoking architecture matches his overall attempt to provoke critical thinking about the relationship between architecture and current culture. He is known not only as an architect but also as a free-lance critic, curator and teacher. He’s taught architecture theory and history at Faculdade de Arquitectura da Universidade do Porto and curated the Portuguese presence at the 2004 Venice Biennale. And for those of us who like lovely names, his full name is Pedro César Clara do Carmo Gadanho.



As yoga has become increasingly popular in recent years, the art is being practiced in often sterile and inappropriate places such as crowded gymnasiums and recreational halls thatlack the ambiance traditionally associated with the practice.

The Y + Yoga Centre in Shanghai appropriates the traditional settings for Yoga practice and fuses it with a modern, yet appropriate, setting. The center is nestled on the second floor of a building which houses a variety of shops and shares its space with a day spa.

Y+ creates an instant ambiance of tranquility through the use of delicately chosen colors in the entrance and main area of the facility. The choice of bronze walls and a combination of bright green and wood inside create a fresh and rejuvenating environment upon entry. The yoga centre comprises of three yoga rooms totaling 1200 meters squared, four massage rooms, a meditation room and a number of communal facilities including a shop and cafe.



The main yoga room is draped with dozens of ropes hanging from the ceiling, giving the room a modern art installation feel, blended with the tranquility of the gentle swaying of the ropes. Subtle leafy patterns decorate the two smaller yoga rooms further enhancing the peaceful ambience.

The key of creating a communal feel throughout all three separate yoga rooms is the inclusion of rounded openings in the walls . These circular openings, varying in size, allow participants and onlookers to indulge into a glimpse of what is happening in the next room, and connect by mentally transforming their individual experiences into a group experience.

The Y + Yoga Centre brings Yoga back to it's origins whilst simultaneously adapting it to a modern environment through a subtle process.



Staying at a hospital or visiting a dentist are mostly unpleasant events, even if you were there just to get a little nip-and-tuck or have your teeth whitened. The universal ugliness and dullness of those bland walls and uninspiring furnishings is surely not going to make you feel better. Plastic surgeons, spas and hair salons fare a bit better, but even most of them are just paying lip service to design or luxury with no real imagination, nothing that makes a lasting impression. Except a few. We’ve seen some that have undergone real makeovers and we want more! Let us know where the coolest places of beautification are — from hospitals, plastic surgeons, dentists to hair salons, spas, manicurists...



Cool designs does not have to be limited to spaces used by adults as we see with these unique areas designed to enhance places of learning.

Forget the "concrete jungle" archetypal school, complete with bars on windows. This school's hallways (pictured above) have been inspired by the imaginary landscape of the Silver Dragon. This environment is created to read like a story book; the further you progress through the hallways, the higher your senses are delighted. With shimmering walls, glowing ceilings and a fantasy feel resonating throughout the architecture, the children engage on a higher social level within the school environment.



Traditionally, libraries also suffer from an image problem. Hordes of books coupled with the 'sshhhh' factor doesn't make for a very cool environment. By installing colorful interiors such as oversized book sleeves, a learning space such as the library is transformed into an area which kids see as cool, and therefore are inspired to read and learn.



A tree-inspired day care center is a far cry from fake grass enhanced playgrounds. The tree trunk is the very foundation of the center, and as such creates the security blanket for the entire structure. This center evokes a warmth which the youngsters respond to. Dream Blossoms grow out of the trunk and create sleeping areas for the habitants to snuggle and nap in. Above the blossoms sprawls the canopy of the



In Lego-bright contrast to the gloomy fate H.C. Andersen prescribed to his original Little Mermaid (that would be death, no less), today's blond little school-going Danes are encouraged to do the sort of things for which some of us got spanked.



Visual artists have created a school with fascinating interiors that feature high window seating for watching the world outside; green platforms with round, red holes where discussions can buzz and bubble, and large upholstered tubes where kids can hide with a good book or spend some time alone. You can do that at school? Unfortunately, only in Denmark.

Children's bookstores, on the other hand, have not suffered by the traditional libraries image problem. Generally, these stores are designed and merchandised to inspire children to enter and purchase.

The Kids Republic bookstore in Beijing (pic below) has taken that concept and run with it. Incorporating the core design elements of a kid's playground, these slipperyslide-inspired-shelves house books in an incredibly fun way. Breaking from the traditional table and chair reading areas, padded L shaped reading stools are used and enjoyed by tiny readers. Dull lighting is replaced by snakelike fittings that radiate a variety of colors whilst providing adequate light to read with.



The choices for kid friendly restaurants, where both parents and kids can enjoy a meal and an environment which caters to both are rare finds. McDonalds have probably lost count of how many times they have dialed 911 to have a parent rescued from inside a playground slippery tube where they have been stuck whilst attempting to get their child to come home.



In a beautiful Dutch village, 10 minutes out from Amsterdam's centre, a parents dream like, kid friendly restaurant exists.

Praq is a restaurant where parents, outerwear and even business people can enjoy a meal and co exist without complaint. Children feel the sense of independence by being seated in a kids area within moms view. There, they can play with giant puzzles, draw, and order from their very own menu whilst seated at their specially designed kids table. The secret to the restaurants success is the use of space.

Praq has been careful in separating these eating spaces whilst still allowing a parent to keep an eye on their child. The light spacious room creates the impression of separation, whilst keeping safety in mind. The children's food is so good, they don't need to promote it by adding in a free toy.



Traditional cooking schools have always looked like a giant classrooms full of mini kitchens. A kids cooking school in Japan has broken that mould by having design guru Moureaux create a studio space and new corporate identity for them.

The cooking school, which is set in the heart of a shopping area in the city of Kyoto, has created a space which eliminates the intimidation factor which students encounter when entering cooking schools. By seating the class amongst brightly colored decor and sleek table and chairs, the environment feels less like a class room. Here the kids can not only cook in the casual teaching environment, they can socialize and eat their homework too.



With U.K parents said to be lashing out a cool GBP 1 billion a year on kids birthday parties, its easy to see that the kids party industry is a gold mine. As children's taste develop, so too does their demand for the latest and greatest (think Veruca Salt in Willy Wonka). For some parents, the age old sleep over is being replaced by a girls night out at Alton Towers Hotel in th U.K.

The hotel has it's own children's Sleep over Suite, a theme room which caters for up to six sleeping princesses who can indulge in the ultimate girls slumber party. The sound proof room is perfect for 3am giggling fits and Justin Timberlake blearing throughout the night.

The suite is divided into two areas. The party area features an over the top entertainment system, karaoke machine ('I will Survive' - Chipmunk version) mini dance floor and a pink fridge filled with ice cream. The sleeping area boasts chill out beds which connect into one big bed for six occupants, a wall to wall mirrored bathroom which is flowing with pampering products from U.K's leading top brand superdrug (limitless branding opportunities here).

At £300 pounds per night (US $560), mom and dad have outsourced the kids birthday party and only have to worry about the drop off and pick up.



Offering a kid a lollypop to welcome them into hospital is so 1950's. Today, that sort of a deal just doesn't cut it.

Instead of bribery through confectionary, this children's hospital in London has reinvented the concept of infirmary and transformed it into inFUNery. Adorned with cheerful, gently winding hospital corridors which lead to wards which look more like kids bedrooms, the hospital has mapped out themes for each of the wards. From the Seashell Ward located on Beach level one, through to the Sky level, each kids ward uses decor and medical equipment that is colorful, creative looking and non threatening.

With a glass atrium dividing the hospital, patients from either side of the wards can look across to see an inviting garden filled with plants, trees and yes, Juggling clowns.

From cool schools to hip learning environments, kids design is forging ahead, meaning the next generation of adults will have been exposed to the elements of cool since childhood, creating adults with a heightened sense of good design. If you know of other interesting kids spaces, let us know.